Wednesday, October 24, 2012

It's All In The Jeans

"[Denim] is basically a blank canvas," says Kent Denim designer and Ark Apparel manufacturer Noah Landis. "There's no other fabric where you can wash it, rip it, bleach it, distress it, destroy it, paint it, and make something beautiful and charge more money."

The fact that denim is an ever-evolving fashion frontier is just one of the reasons Landis has such an affinity for the ubiquitous fabric. Indeed, two of the biggest trends to have emerged in the past year are both demin-based: the kaleidoscopic array of colored washes being presented alongside jeans adorned in floral patterns; once thought to be reserved for only the most daring stylists, they are now wardrobe staples for all. And the "Canadian Tuxedo" is back in such a big way that The Sartorialist, Scott Schuman, dedicated not one but two posts to the trend on his esteemed blog.

Photo courtesy of Ark Apparel
Of course another draw to jeans -- for Landis, Ralph Lauren and the everyday person -- is that nostalgic and endearing sense of Americana one feels just at the sight of denim. We remember the workers and farmers who donned the heavy cousin of cotton to build this country from the ground up and feed its people along the way. We think of how denim has stayed with us through the decades: gals in the 1950s feeling sexy, daring, and liberated from poodle skirts in their high-waisted jeans; rockstars of the 1960s decked out in denim as they gave a lost generation something to gather around, while motorcycle gangs of the same era let their insignia-adorned denim jackets crust over with the filth of life on the road; the never-big-enough bell bottoms that defined 1970s style; the shredded and acid-washed jeans of the 1980s and 1990s; and the myriad reiterations and innovations jeans have seen in the 21st century. All this and more drew a young Landis to his specific focus on denim design and construction when he channeled his passion for photography and styling into a love affair with fashion when he graduated from high school.

After growing up on a Northern California farm "literally in the middle of nowhere" (closest town: Placerville), Landis took his newfound adoration to San Francisco's Academy of Art University, where he earned a fashion design-focused Bachelor of Fine Arts degree in 2006. After working in production and manufacturing for Gap, Inc. for two years, Landis decided he "wanted to be more hands-on and see it go through the process instead of just writing reports" about apparel production. And so, five years ago, Kent Denim was born.

Noah Landis holding up one of the first pairs of jeans ever made under the Kent Denim label -- he gave
them to a friend and asked him to wear them religiously for four years and never wash them,creating
the actual wear pattern seen here. Landis will now create a new style of Kent jean imprinted with this
pattern. How to keep your jeans clean without washing them? Freeze them, of course: "I'm a denim
purist; I always freeze my jeans," Landis says, explaining that freezing kills bacteria, eliminating odor
without degrading the denim through countless washes.

The next big jacket trend to hit Kent denim -- though composed of one type of denim,
the sleeves were treated more than the body of the jacket, creating a matte look that
contrasts with the softer, more natural denim. "It's kind of top secret, but you can show it,"
fearless Landis said. "If you get too caught up thinking everyone's going to copy you,
that's just fear. If your designs do get copied, you know you're doing something right."

Designer Noah Landis shows off the latest graphic tank to join the Kent Denim family
Shortly after establishing Kent -- which features innovative, premium quality jeans, jackets, and tees for men, as well as adorable and vivid graphic tees for women -- Landis expanded his impact on the fashion industry by connecting with the manufacturing and consulting company Ark Apparel, and he began producing small-scale premium apparel for up-and-coming designers, again focusing on denim.

"Karl Lagerfeld designs for five lines," Landis said. "A real designer does not have a conflict of interest."

Indeed, Landis modeled his business after just such a multifaceted designer and personal inspiration of his, Renzo Rosso, the proclaimed "Jeans Genius" who founded and is the president of premium denim brand Diesel. Additionally, Rosso manufactured for two of Landis' other major fashion inspirations, DSquared2 and Vivienne Westwood (whose name was the first out of Landis' mouth when asked of his inspirations, without even a nanosecond's hesitation -- "That t-shirt with the chicken bones!" he swooned). More of Landis' inspirations are represented through the striking visuals on the Tumblr pages for both Kent and Ark; if it's high-energy, unconventional, unexpected, tattooed, darkly humorous, vintage, beautiful, thought-provoking, and memorable, it's in. "That's just what's going on in my head," Landis explained with a chuckle.

Inside the Ark Apparel factory (clockwise from top right): sewers hard at work in the larger of the two sewing rooms; inspirational collection book from Spring 2013 Paris and Milan shows; designer/manufacturer Noah Landis;
the cutting table; Landis working with selvedge denim

Since this past summer, Landis and fellow manufacturer Rocio Evanette ("He's my business husband, and he's a keeper," she said of Landis) spend four days per week working at their Vernon-based factory with a tight-knit crew of about five people who locally produce small-scale premium orders (average size is about 200 units) for up-and-coming designers. Though the focus is still on denim, the talented sewers can also produce garments with fabrics ranging from jersey to leather. Landis said the cost of local production of high-end fashion is "very competitive" with sometimes cheaper international production when the designer factors in the shipping costs and the possibility that the work could be done incorrectly the first time and would require repeats of the international process, as opposed to simply driving over to Vernon and having it corrected immediately in a cost-effective manner. Of course there's also the obvious boost to the American economy by keeping production local, and the support to up-and-coming American designers by providing an option for affordable small-scale production.

"Starting the factory was the easiest way to do what I wanted to do and help new designers," Landis said. "Because if you want to start a denim line, you should be able to."

And that's how you use the heart of Americana fashion to make the American Dream a reality.

On Noah Landis: shirt and jeans - Kent Denim, sunglasses - Gucci, belt - "This belt was released in 1969 when the Corvette first came out. I found it in a leather factory I was working in up in San Francisco and the owner let me have it for $5. I think he was high from all the leather fumes, but I took it!" said Landis; On Kyveli Sophia: shirt - Piko 1988, skirt - BCBG, belt - thrifted, braided leather cuff - found, earrings - BCBG

Wednesday, October 10, 2012

iPhonography by Kyveli Sophia

Art is about seeing the world differently, seeing things for what they could be as well as appreciating them for what they are. So it's obvious that photography is a fundamental way of inviting others to this viewpoint most clearly; through the snap of a shutter, one can see the world through another person's eyeballs -- a miracle we owe (in part) to Louis Daguerre. This post, however, is also owed (in part) to Steve Jobs.

Truth time: Kyveli Sophia doesn't really have the best technology (yet), and thus my only camera is my iPhone 4S. But like cavemen with their primitive paint and sculpting tools, I'm not letting limited resources inhibit my artistic expression. Here, for your viewing pleasure, are 15 of my favorite photographs that I've taken over the last year; if you like what you see, follow me on instaGram @kyvelisophia.

SF Street Style on the Golden Gate Bridge - May 2012 / San Francisco, CA

United Nations Plaza, Civic Center - April 2012 / San Francisco, CA

Tenderloin Street Art - April 2012 / San Francisco, CA

Rivets on the Golden Gate Bridge - May 2012 / San Francisco, CA

Gay Beach, Dolores Park - March 2012 / San Francisco, CA

Rainbow flag at Harvey Milk Plaza and Sutro Tower, Market & Castro - June 2012 / San Francisco, CA

Sahuarita Desert - November 2011 / Green Valley, AZ

Union Square palm tree - December 2011 / San Francisco, CA

Golden Gate Bridge south tower - May 2012 / San Francisco, CA

Palisades Park succulent - March 2012 / Santa Monica, CA

Lifeguard tower at sunset - September 2012 / Santa Monica, CA

Sutro Tower and a rising crescent moon - October 2011 / San Francisco, CA

Santa Monica Pier through morning haze - September 2012 / Santa Monica, CA

Sunset and Moonrise - September 2012 / Venice Beach, CA

After the Final Show on Day 3, Outside Lands Music Festival - August 2011 / Golden Gate Park, San Francisco, CA

Wednesday, October 3, 2012

You Should Know: Fire In The Hamptons

Fire In The Hamptons at the historic Malibu Inn, Sept. 19, 2012 (from left: Emvy [keyboard, bass synth], Aaron [drums], Zack [vocals], and Ian [guitar])
Four flat tires in five hours en route to a show in San Francisco. Every door on the tour van breaking at the same time. A 300-pound buck (dubbed "Bambo") leaping out of a perfectly still night in Malibu Canyon in front of said tour van, crushing its radiator and taking out a second car before disappearing back into the darkness. Not exactly events indie-electro-rock group Fire In The Hamptons expected when they set out for those gigs, but as the band always says in the face of adversity, "That ain't nothing for dragons."

Representing that dragon side with matching gold talons around their necks, the Los Angeles-based foursome is rapidly proving unstoppable, be it on the road or on stage. Since their formation at the start of 2012, the group has headlined The Viper Room, The House of Blues ("the fifth F.I.T.H. show," keyboardist Emvy Venti points out), and The Malibu Inn, and kicked off a month-long state-wide tour at August's Echo Park Rising Festival. But for drummer Aaron Bilyeu, the band's most memorable show didn't require a venue whose name evokes memories of music legends past, nor did it need the packed house of adoring fans that's becoming as guaranteed for this group as a sound check.

"We played outside a house in Joshua Tree -- just as the sun set -- for us, a few of our close friends, and the whole of the desert," Aaron says of his favorite performance. "It was an amazing view. I'm sure we sounded like shit, but it was beautiful, and one of those moments you can hold on to."

Forging unforgettable moments isn't difficult for  this group. They pride themselves on the showmanship of their live shows, where lead singer Zack Arnett insists on an ocean of lasers and incites dance-offs in the crowd. Zack's vocals transition seamlessly from breathy cooing to an amplified, full-bodied howl that plays across octaves with a soulful yet playful tone that is both unforgettable and incomparable. Coupled with Aaron's powerful drumming (which was evocative of Young The Giant to me, but is in fact inspired by, according to Aaron, a combination Carter Beauford, Dave Grohl, and Miley Cyrus' new haircut), Emvy's masterful weaving of classic piano tones and innovative electronic overlays, and guitarist Ian "Values" Dowd's diverse, poppy sound that loans the group a touch of Two Door Cinema Club's upbeat attitude, F.I.T.H.'s catchy lyrics and widely varied tunes will remain comfortably buried in your brain weeks. If you don't believe me, try this on for size:


"Stargazer" quickly became one of the hits F.I.T.H. fans couldn't get enough of, and whenever it's performed live the energy of the show instantly bubbles over from a fun dance party to an unhinged rock show -- the adoring crowd pumps their fists with each "Up!" and all four band members feed off of the energy, dancing on stage and losing themselves in their musicality.

Monterey natives Zack, Aaron, and Ian knew each other long before Zack (who spent years in the funky hip-hop crew Ostrich Head) came up with the idea for F.I.T.H. Lifelong Los Angeleno Emvy was added to the ensemble after the multifaceted musician (in addition to piano, guitar, and electronic instruments, he's also a percussionist and will wildly drum on anything from a steering wheel to water glasses to the nearest person if the spirit moves him) played at the Troubadour in January with another group he's in called Siren's Eye. A couple months after their first rehearsal, Fire In The Hamptons officially debuted at The Viper Room, an epic beginning that -- with rumors of Coachella now flying around -- apparently foreshadowed the band's skyward trajectory.

"Luckily, I have been grinding my face into the sandpaper stone of the music industry for over a decade...along the way I was able to sweep a couple gems into my pocket that would later help out if this situation were to arise," Zack says of forming and launching the year-old band.

But the thing that makes F.I.T.H. such a joy to watch live and listen to endlessly in the car, on your computer or on repeat in your head is the obvious joy the members take in creating their wholly new sound together. They've been frequently compared to Passion Pit, but that comparison is always followed by a statement about how, in reality, they sound like everyone and no one all at once. Theirs is a sound that simply moves you and fits as a perfect soundtrack to every scenario life could offer, a sound these men create with ease and alacrity simply by relaxing, sharing a laugh, hopping on stage and starting a party.

"It's hard to explain," Aaron says of the nascent group's cohesion, "but one day you're not learning the songs, you're just playing them. Ya dig?"


Hurry and buy your $15 pre-sale tickets to see F.I.T.H. live at The Mayan (1038 S. Hill Street in Downtown LA) when RAW: Los Angeles presents PROVOCATIONS, an eclectic collection of art, fashion, and music on Thursday, October 11th! What to wear? The invitation specifies cocktail attire, but let your personal style rock as hard as F.I.T.H., like my cousin Natasha and I did at their Malibu Inn show last month:

Top: 5th Stitch Collective; Jeans: BDG; Heels: ShoeDazzle; Braided Leather Cuff: found

While I rocked out in my favorite seafoam green cigarette jeans with another dazzler from San Francisco's 5th Stitch Collective and my sky-high/dirt-cheap pumps, Natasha opted for one of my favorite recent trends: the long lace dress over exposed legs. This style exudes the subdued sex appeal of black lace over bare skin but the floor-length column skirt elevates the look's elegance, gives it a sense of class and maturity, and lets a rock fan show off her gorgeous gams without looking like a hoochie groupie (also known as "That Girl"). Buy the F.I.T.H. LP on iTunes, and let tracks like Natasha's and my personal favorites ("Children Of The Sun" and "Crystalize", respectively) guide you to the perfect ensemble. Just make sure you can dance in it, as people standing still is the one thing that will definitely never happen at a F.I.T.H. show. Everything else is on the table -- case in point: Zack is already planning a stage dive at the Mayan.